Plating Study 13 – Colourful Geometric Abstract Art | TESOLEE

Plating Study 13 – Colourful Geometric Abstract Art

Plating Study 13 is a contemporary abstract composition by TESOLEE that explores the relationship between geometric structure, expressive movement and contrasting colour. Built around a series of circular forms, intersecting lines and spontaneous paint marks, the artwork creates a strong visual rhythm without relying on a recognisable subject.

A Composition of Circles and Intersections

At the centre-left of the composition sits a large circular form constructed from three distinct bands of colour. A deep crimson outer ring surrounds a golden yellow band, which encloses a burnt orange centre.

The layered circles create a sense of depth and concentration, drawing attention towards the middle of the artwork.

This controlled arrangement is interrupted by a dramatic black angular brushstroke extending from the upper right towards the centre of the circles. Its sharp, directional form cuts across the rounded shapes, creating tension between movement and stability.

A second black stroke crosses the first, producing an irregular intersection that contrasts with the carefully organised circular elements.

To the right, a small burnt orange square introduces another geometric shape, balancing the larger circular composition without competing with it.

Structure Against Spontaneity

One of the defining characteristics of Plating Study 13 is the contrast between its underlying structure and the expressive marks layered across the surface.

Fine black horizontal and vertical lines create a loose grid, dividing the cream background into irregular sections. These lines establish a framework that gives the composition a sense of order.

Against this structure, scattered splashes of red, blue and ochre introduce an entirely different energy.

A broad cobalt blue brushstroke curves through the lower left, creating a sweeping movement that visually counterbalances the strong diagonal black strokes above.

The visible texture of the paint adds another dimension. The circular forms have a layered, tactile appearance, while the black marks retain the irregular edges and directional qualities of individual brushstrokes.

Origins in Culinary Composition

Plating Study 13 belongs to a collection developed from sketches TESOLEE originally created during his 35-year career as a professional chef.

Working in professional kitchens required constant attention to visual arrangement, balance and the relationship between individual elements.

The original sketches explored these principles through simple shapes and contrasting colours, long before they were developed into independent abstract compositions.

In Plating Study 13, this background can be seen in the deliberate placement of the central circles, the opposing directional lines and the smaller elements distributed around the composition.

However, the finished artwork is not intended as a representation of food or culinary presentation. It stands independently as an exploration of colour, form and visual relationships.

A Distinctive Presence in Contemporary Interiors

The combination of crimson, yellow, cobalt blue and black gives Plating Study 13 a confident visual character.

Against dark charcoal walls, the warm background and saturated colours become particularly prominent, creating a striking contrast with contemporary furniture and architectural materials.

In brighter spaces, the cream background allows the artwork to integrate naturally with pale concrete, stone and minimalist interiors, while the stronger geometric elements provide a focal point.

The composition works especially well where clean architectural lines can contrast with its expressive brushwork.

Rather than presenting a perfectly ordered geometric arrangement, Plating Study 13 allows precision and spontaneity to exist together. The result is an energetic abstract composition that offers something different to discover with each viewing.