Plating Study 17 – Bold Geometric Abstract Art
Plating Study 17 is a distinctive example of bold geometric abstract art by TESOLEE, exploring the relationship between strong angular forms, contrasting colours and expressive painterly movement. Its composition combines carefully positioned geometric elements with spontaneous brush marks, creating an artwork that feels structured without becoming rigid.
A Powerful Geometric Composition
The dominant feature is a large black triangle positioned in the lower-left section of the artwork. Its substantial form creates a strong visual anchor, contrasting sharply with the surrounding warm ivory background.
Unlike a mechanically precise geometric shape, the triangle retains the irregularities of hand-applied paint. Subtle variations in texture and visible brush marks give its dark surface depth and character.
Two slender black diagonal lines cross the composition, intersecting near the upper section of the triangle. Their opposing directions introduce movement and visual tension, connecting otherwise separate elements.
In the upper right, a large crimson red quadrilateral provides a vivid counterpoint to the black triangle. Its slightly irregular edges and expressive paint application create a sense of energy within the otherwise controlled arrangement.
A mustard yellow square sits immediately below the red form, introducing warmth and a contrasting visual weight.
Towards the lower right, a cobalt blue square provides a third area of saturated colour, balancing the composition without repeating the dominant shapes.
Colour, Contrast and Expressive Detail
The colour palette combines black, crimson red, mustard yellow and cobalt blue against a softly textured ivory background.
Rather than blending these colours together, TESOLEE allows each geometric form to retain its individual identity.
This separation creates strong contrasts, encouraging the eye to move between the dominant triangle, the red and yellow forms and the smaller blue square.
Scattered paint marks in red, blue and yellow introduce a more spontaneous quality. These irregular details interrupt the structured arrangement and prevent the composition from appearing overly calculated.
The background contains subtle variations in cream, ivory and pale yellow, along with visible brush textures that add depth without competing with the principal geometric elements.
This relationship between defined shapes and expressive marks is central to the artwork’s character.
From Culinary Sketches to Abstract Art
Plating Study 17 belongs to TESOLEE’s Plating Studies collection, developed from original sketches created during his professional culinary career.
Working as a chef required constant attention to proportion, placement, colour relationships and the visual balance between individual elements.
These early sketches explored how contrasting forms could interact within a defined space, using circles, lines and geometric shapes to create compositions that were both deliberate and expressive.
Over time, the sketches evolved beyond their culinary origins into independent abstract artworks.
In Plating Study 17, this background is reflected in the deliberate arrangement of the large black triangle, the contrasting red and yellow forms and the smaller cobalt blue square.
The diagonal lines create relationships between these elements, while the scattered paint marks introduce an additional sense of freedom.
Although the collection originated from culinary sketches, the finished artwork is not intended as a literal representation of food. It stands independently as an exploration of geometry, colour and expressive composition.
Bold Geometric Abstract Art for Contemporary Interiors
The combination of strong black geometry and vibrant colour gives Plating Study 17 a confident visual presence.
Against deep olive green walls, the warm ivory background becomes particularly prominent, while the black triangle and saturated geometric forms establish a striking focal point.
In contemporary kitchens, the artwork can introduce contrast against muted grey-blue walls, dark cabinetry and natural stone surfaces.
Its relatively restrained arrangement of large geometric shapes also complements architectural interiors where clean lines, strong materials and carefully selected objects play an important role.
The contrast between the dominant black triangle and the lighter background gives the composition clarity, while the expressive paint marks provide individuality and movement.
Plating Study 17 brings together geometric discipline and spontaneous expression, creating a contemporary abstract artwork defined by confident shapes, contrasting colours and a distinctive visual rhythm.








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